CELEBRATION

by Harold Pinter

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Table One

Waiter Who's having the duck?
Lambert The duck's for me.
Julie No it isn't.
Lambert No it isn't. Who's it for?
Julie Me.
Lambert What am I having? I thought I was having the duck.
Julie (to waiter) The duck's for me.
Matt (to waiter) Chicken for my wife, steak for me.
waiter Chicken for the lady.
Prue Thank you so much.
waiter And who's having the steak?
Matt Me (He picks up the wine bottle and pours) Here we are. Frascati for the ladies and Valpolicella for me.
Lambert And me? I mean, what about me? What did I order? I haven't the faintest idea. What did I order?
Julie Who cares?
Lambert Who cares? I bloody care.
Prue Osso buco.
Lambert Osso what?
Prue Buco.
Matt It's an old Italian dish.
Lambert Well, I knew osso was Italian but I know bugger all about buco.
Matt I didn't know asshole was Italian.
Lambert Yes, but in the other hand what's the Italian for asshole?
Prue Julie, Lambert. Happy Anniversary.
Matt Cheers.
  They lift their glasses and drink.
 

Table Two

Russell They believe in me.
Suki Who do?
Russell They do. What do you mean, who do? They do.
Suki Oh, do they?
Russell Yes, they believe in me. They reckon me. They're investing in me. My nous. They believe in me.
Suki Listen. I believe you. Honestly, I do. No really, honestly. I'm sure they believe in you. I mean, listen, I want you to be rich, believe me. I want you to be rich so you can but me houses and panties and I'll know that you really love me.
  They drink
Russell Listen, she was just a secretary. That's all. No more.
Suki Like me.
Russell What do you mean like you? She was nothing like you.
Suki I was a secretary once.
Russell She was a scrubber. A tart. They're all the same, these secretaries, these scrubbers. They're like politicians. They love power. They've got a bit of power, they use it. They go home, they get on the phone, they tell their girlfriends. Listen to me. I'm being honest. You won't find many like me. I fell for it. I've admitted it. She just twisted me round her little finger.
Suki That's funny. I thought she twisted you round your little finger.
  Pause.
Russell You don't know what these girls are like. These secretaries.
Suki Oh I think I do.
Russell You don't.
Suki Oh I do.
Russell What do you mean, you do?
Suki I've been behind a few filing cabinets.
Russell What?
Suki In my time. When I was a plump young secretary. I know what the back of a filing cabinet looks like.
Russell Oh, do you?
Suki Oh yes. Listen. I would invest in you myself if I had any money. Do you know why? Because I believe in you.
Russell What's all this about filing cabinets?
Suki Oh, that was when I was a plump young secretary. I would never do all those things now. Never. Out of the question. You see, the trouble was I was so excitable, their excitement made me so excited, but I would never do all those things now. I'm a grown-up woman and not a silly young thing, a silly and dizzy young girl, such a naughty, saucy, flirty, giggly young thing: sometimes I could hardly walk from one filing cabinet to another I was so excited. I was so plump and wobbly it was terrible, men simply couldn't keep their hands off me, their demands were outrageous but coming back to more important things, they're right to believe in you, why shouldn't they believe in you?
 

Table One

Julie I've always told him. Always. But he doesn't listen. I tell him all the time.  But he doesn't listen.
Prue You mean he just doesn't listen!
Julie I tell him all the time.
Prue (to Lambert) Why don't you listen to your wife?  She stands by you through thick and thin. You've got a loyal wife there and never forget  it.
Lambert I've got a loyal wife where?
Prue Here! At this table
Lambert I've got one under the table, take my tip. (He looks under the table.) Christ. She's really loyal under the table. Always has been. You wouldn't believe it.
Julie Why don't you go and buy a new car and drive it into a brick wall?
Lambert She loves me.
Matt No, she loves new cars.
Lambert With soft leather seats.
Matt There was a song once.
Lambert How did it go?
Matt

"Ain't she neat?

Ain't she neat?

As she's walking up the street.

She's got a lovely bubbly pair of tits.

And a soft leather seat."

Lambert That's a really beautiful song.
Matt I've always admired that song. You know what it is? It's a traditional folk song.
Lambert It's got class.
Matt It's got tradition and class.
Lambert They don't grow on trees.
Matt Too bloody right.
Lambert Hey, Matt!
Matt What?
  Lambert picks up the bottle of Valpolicella. It is empty.
Lambert There's something wrong with this bottle.
  Matt turns and calls.
Matt Waiter!
 

Table Two

Russell All right. Tell me. Do you think I have a nice character?
Suki Yes, I think you do. I think you do. Well.... I mean.... I think you could have quite a nice character but the trouble is that when you come down to it you haven't actually got any character to begin with - I mean as such, that's the thing.
Russell As such?
Suki Yes, the thing is you haven't really got any character at all, have you? As such. Au fond. But I wouldn't worry about it. For example look at me. I don't have any character either. I'm just a reed. I'm just a reed in the wind. Aren't I? You know I am. I'm just a reed in the wind.
Russell You're a whore.
Suki A whore in the wind.
Russell With the wind blowing up your skirt.
Suki That's right. How did you know? How did you know the sensation? I didn't know that men could possibly know about that kind of thing. So I didn't think men could possibly know what it was like when the wind blows up a girl's skirt. Because men don't wear skirts.
Russell You're a prick.
Suki Not quite.
Russell You're a prick.
Suki Good gracious. Am I really?
Russell Yes. That's what you really are.
 

Table One

Lambert What's that other song you know? The one you said was a classic.
Matt "Wash me in the water where you washed your dirty daughter."
Lambert That's it. (To Julie) Know that one?
Julie It's not in my repertoire, darling.
Lambert This is the best restaurant in town. That's what they say.
Matt That's what they say.
Lambert This is a piss-up dinner. Do you know how much money I made last year?
Matt I know this is a piss-up dinner.
Lambert It is a piss-up dinner.
Prue (to Julie) His mother always hated me. The first time she saw me she hated me. She never gave me one present in the whole of her life. She wouldn't give me the drippings off her nose.
Julie I know.
Prue The drippings off her nose. Honestly.
Julie All mothers-in-law are like that. They love their sons. They love their boys. They don't want their sons to be fucked by other girls. Isn't that right?
Prue Absolutely. All mothers want their sons to be fucked by themselves.
Julie By their mothers.
Prue All mothers---
Lambert All mothers want to be fucked by their mothers.
Matt Or by themselves.
Prue No, you've got it the wrong way round.
Lambert How's that?
Matt All mothers want to be fucked by their sons.
Lambert Now wait a minute---
Matt My point is---
Lambert No, my point is----how old do you have to be?
Julie To be what?
Lambert To be fucked by your mother?
Matt Any age, mate. Any age.
  They all drink
Lambert How did you enjoy your dinner, darling?
Julie I wasn't impressed.
Lambert You weren't impressed?
Julie No
Lambert I bring her to the best caff in town---spending a fortune---and she's not impressed.
Matt Don't forget this is your anniversary. That's why we're here.
Lambert What anniversary?
Prue It's your wedding anniversary.
Lambert All I know is this is the most expensive fucking restaurant and she's not impressed.
  Richard comes to the table.
Richard Good evening.
Matt Good evening.
Prue Good evening.
Julie Good evening.
Lambert Good evening, Richard. How have you been?
Richard Very, very well. Been to a play?
Matt No. The ballet.
Richard Oh, the ballet? What was it?
Lambert That's a fucking good question.
Matt It's unanswerable.
Richard Good, was it?
Lambert Unbelievable.
Julie What ballet?
Matt None of them could reach the top notes. Could they?
Richard Good dinner?
Matt Fantastic.
Lambert Top-notch. Gold-plated.
Prue Delicious.
Lambert My wife wasn't impressed.
Richard Oh, really?
Julie I liked the waiter.
Richard Which one?
Julie The one with the fur-lined jockstrap.
Lambert He takes it off for breakfast.
Julie Which is more than you do.
Richard Well, how nice to see you all.
Prue She wasn't impressed with her food. It's true. She said so. She thought it was dry as dust. She said---what did you say, darling?---she's my sister---she said she could cook better than that with one hand stuffed between her legs; she said---no, honestly---she said she could make better sauce than the one on her plate if she pissed into it. Don't think she was joking---she's my sister, I've known her all my life, all my life, since we were little innocent girls, all our lives, when we were babies, when we used to lie in the nursery and hear Mummy beating the shit out of Daddy. We saw blood on the sheets the next day---when Nanny was in the pantry---my sister and me---and Nanny was in the pantry---and the pantry maid was in the larder and the parlor maid was in the laundry room washing the blood out of the sheets. That's how my little sister and I were brought up and she could make better sauce than yours if she pissed into it.
Matt Well, it's lovely to be here, I'll say that.
Lambert Lovely to be here.
Julie Lovely. Lovely.
Matt Really lovely.
Richard Thank You
  Prue stands and goes to Richard.
Prue Can I thank you? Can I thank you personally? I'd like to thank you myself, in my own way.
Richard Well, thank you.
Prue No, no, I'd really like to thank you in a very personal way.
Julie She'd like to give you her personal thanks.
Prue Will you let me kiss you? I'd like to kiss you on the mouth.
Julie

That's funny. I'd like to kiss him on the mouth too.

 

She stands and goes to him.

 

Because I've been maligned, I've been misrepresented. I never said I didn't like your sauce. I love your sauce.

Prue We can't both kiss him on the mouth at the same time.
Lambert You could tickle his arse with a feather.
Richard Well, I'm so glad. I'm really glad. See you later I hope
  Richard goes. Prue and Julie sit.
  Silence.
Matt Charming man.
Lambert That's why this is the best and most expensive restaurant in the whole of Europe---because he insists upon proper standards, he insists that standards are maintained with the utmost rigor, you get me? That standards are maintained up to the highest standards, up to the very highest fucking standards-----
Matt He doesn't jib.
Lambert Jib? Of course he doesn't jib---it would be more  than his life was worth. He jibs at nothing!
Prue I knew him in the old days.
Matt What do you mean?
Prue When he was a chef.
  Lambert's mobile phone rings.
Lambert

Who the fuck's this?

 

He switches it on.

 

Yes? What? (He listens briefly.) I said no calls! It's my fucking wedding anniversary!

 

He switches it off.

 

Cunt.

 

Table Two

Suki I'm so proud of you.
Russell Yes?
Suki And I know these people are good people. These people who believe in you. They're good people. Aren't they?
Russell Very good people.
Suki And when I meet them, when you introduce me to them, they'll treat me with respect, won't they? They won't want to fuck me behind a filing cabinet?
  Sonia comes to the table.
Sonia Good evening.
Russell Good evening.
Suki Good evening.
Sonia Everything all right?
Russell Wonderful.
Sonia No complaints?
Russell Absolutely no complaints whatsoever. Absolutely numero uno all along the line.
Sonia What a lovely compliment.
Russell Heartfelt.
Sonia Been to the theater?
Suki The opera.
Sonia Oh, really, what was it?
Suki Well....there was a lot going on. A lot of singing. A great deal, as a matter of fact. They never stopped. Did they?
Russell (to Sonia) Listen, let me ask you something.
Sonia You can ask me absolutely anything.
Russell What was your upbringing?
Sonia That's funny. Everybody asks me that. Everybody seems to find that an interesting subject. I don't know why. Isn't it funny? So many people express curiosity about my upbringing. I've no idea why. What you really mean of course is how did I arrive at the position I hold now---maîtresse d'hôtel---isn't that right? Isn't that your question? Well, I was born in Bethnal Green. My mother was a chiropodist. I had no father.
Russell Fantastic.
Sonia Are you going to try our bread-and-butter pudding?
Russell In spades.
  Sonia smiles and goes.
Russell Did I ever tell you about my mother's bread-and-butter pudding?
Suki You never have. Please tell me.
Russell You really want me to tell you? You're not being insincere?
Suki Darling. Give me your hand. There. I have your hand. I'm holding your hand. Now please tell me. Please tell me about your mother's bread-and-butter pudding. What was it like?
Russell It was like drowning in an ocean of richness.
Suki How beautiful. You're a poet.
Russell I wanted to be a poet once. But I got no encouragement from my dad. He thought I was an arsehole.
Suki He was jealous of you, that's all. He saw you as a threat. He thought you wanted to steal his wife.
Russell His wife?
Suki Well, you know what they say.
Russell What?
Suki Oh, you know what they say.
  The Waiter comes to the table and pours wine.
Waiter Do you mind if I interject?
Russell Eh?
Waiter I say. do you mind if I make an interjection?
Suki We'd welcome it..
Waiter It's just that I heard you talking about T. S. Eliot a little bit earlier this evening.
Suki Oh, you heard that, did you?
Waiter I did. And I thought you might be interested to know that my grandfather knew T. S. Eliot. quite well.
Suki Really?
Waiter I'm not claiming that he was a close friend. But he was a damn sight more than a nodding acquaintance. He knew them all, in fact, Ezra Pound, W. H. Auden, C. Day-Lewis, Louis MacNiece, Stephen Spender, George Barker, Dylan Thomas, and if you go back a few years he was a bit of a drinking companion of D. H. Lawrence, Joseph Conrad, Ford Madox Ford, W, B. Yeats, Aldous Huxley, Virginia Woolf, and Thomas Hardy in his dotage. My grandfather was carving out a niche for himself in politics at the time. Some saw him as a future Chancellor of the Exchequer or at least First Lord of the Admiralty but he decided instead to command a battalion in the Spanish Civil War but as things turned out he spent most of his spare time in the United States where he was a very close pal of Ernest Hemingway---they used to play gin rummy together until the cows came home. But he was also boon compatriots with William Faulkner, F. Scott Fitzgerald, Upton Sinclair, John Dos Passos---you know, that whole vivid Chicago gang---not to mention John Steinbeck, Erskine Caldwell, Carson McCullers, and other members of the old Deep South conglomerate. I mean---what I'm trying to say is---that as a man my grandfather was just about as all-round as you can get. He was never without his pocket Bible and he was a dab hand at pocket billiards. He stood four-[square in the center of the intellectual and literary life of the tens, twenties, and thirties. He was James Joyce's godmother.
  Silence.
Russell Have you been working here long?
Waiter Years.
Russell You going to stay until it changes hands?
Waiter Are you suggesting I'm about to get the boot?
Suki They wouldn't do that to a nice lad like you.
Waiter To be brutally honest, I don't think I'd recover if they did a thing like that. This place is like a womb to me. I prefer to stay in my womb. I strongly prefer that to being born.
Russell I don't blame you. Listen, next time we're talking about T. S Eliot I'll drop you a card.
Waiter You would make me a very happy man. Thank you. Thank you. You are incredibly gracious people.
Suki How sweet of you.
Waiter Gracious and grateful.
  He goes.
Suki What a nice young man.
 

Table One

Lambert You won't believe this. You're not going to believe this---and I'm only saying this because I'm amongst friends---and I know I'm well liked because I trust my family and my friends---because I know they like me fundamentally---you know, deep down they trust me, deep down they respect me---otherwise I wouldn't say this. I wouldn't take you all into my confidence if I thought you all hated my guts---I couldn't be open and honest with you if I thought you thought I was a pile of shit. If I thought you would like to see me hung, drawn and fucking quartered---I could never be frank and honest with you if that was the truth---never......
  Silence.
  But as I was about to say, you won't believe this. I fell in love once and this girl I fell in love with loved me back. I know she did.
  Pause.
Julie Wasn't that me, darling?
Lambert Who?
Matt Her.
Lambert Her? No, not her. A girl. I used to take her for walks along the river.
Julie Lambert fell in love with me on the top of the bus. It was a short journey. Fulham Broadway to Shepherd's Bush, but it was enough. He was trembling all over. I remember. (To Prue) When I got home I came and sat on your bed, didn't I?
Lambert I used to take this girl for walks along the river. I was young. I wasn't much more than a nipper.
Matt That's funny. I never knew anything about that. And I knew you quite well, didn't I?
Lambert What do you mean you knew me quite well? You knew nothing about me. You know nothing about me. Who the fuck are you anyway?
Matt I'm your big brother.
Lambert I'm talking about love, mate. You know, real fucking love, walking along the banks of a river holding hands.
Matt I saw him the day he was born. You know what he looked like? An alcoholic. Pissed as a newt. He could hardly stand.
Julie He was trembling like a leaf on top of that bus. I'll never forget it.
Prue I was there when you came home. I remember what you said. You came into my room. You sat down on my bed.
Matt What did you say?
Prue I mean we were sisters, weren't we?
Matt Well, what did she say?
Prue I'll never forget what you said. You sat on my bed. Didn't you? Do you remember?
Lambert The girl was in love with me---I'm trying to tell you.
Prue Do you remember what you said?
 

Table Two

  Richard comes to the table.
Richard Good evening.
Russell Good evening.
Suki Good evening.
Richard Everything in order?
Russell First class.
Richard I'm so glad.
Suki Can I say something?
Richard But indeed----
Suki Everyone is so happy in your restaurant. I mean women and men. You make people so happy.
Richard Well, we do like to feel that it's a happy restaurant.
Russell It is a happy restaurant. For example, look at me. Look at me. I'm basically a totally disordered personality; some people would describe me as a psychopath. (To Suki) Am I right?
Suki Yes.
Russell But when I'm sitting in this restaurant I suddenly find I have no psychopathic tendencies at all. I don't feel like killing everyone in sight, I don't feel like putting a bomb under everyone's arse. I feel something quite different, I have a sense of equilibrium, of harmony, I love my fellow diners. Now this is very unusual for me. Normally I feel---as I've just said---absolute malice and hatred towards everyone within spitting distance---but here I feel love. How do you explain it?
Suki It's the ambience.
Richard Yes, I think ambience is that intangible thing that cannot be defined.
Russell Quite right.
Suki It is intangible. You're absolutely right.
Russell Absolutely.
Richard That is absolutely right. But it does---I would freely admit---exist. It's something you find you are a part of. Without knowing exactly what it is.
Russell Yes. I had an old schoolmaster once who used to say that ambience surrounds you. He never stopped saying that. He lived in a little house in a nice little village but none of is boys were ever invited to tea.
Richard Yes, it's funny you should say that. I was brought up in a little village myself.
Suki No? Were you?
Richard Yes, isn't it odd? In a little village in the country.
Russell What, right in the country?
Richard Oh, absolutely. And my father once took me to our village pub. I  was only that high. Too young to join him for his pint, of course. But I did look in. Black beams.
Russell On the roof?
Richard Well, holding the ceiling up in fact. Old men smoking pipes, no music of course, cheese rolls, gherkins, happiness. I think this restaurant---which you so kindly patronize---was inspired by that pub in my childhood. I do hope you noticed that you have complimentary gherkins as soon as you take your seat.
Suki That was you! That was your idea!
Richard I believe the concept of this restaurant rests in that public house of my childhood.
Suki I find that incredibly moving.
 

Table One

Lambert I'd like to raise my glass.
Matt What to?
Lambert To my wife. To my anniversary.
Julie Oh, darling! You remembered!
Lambert I'd like to raise my glass. I ask you to raise your glasses to my wife.
Julie I'm so touched by this, honestly. I mean I have to say----
Lambert Raise your fucking glass and shut up!
Julie But darling, that's naked aggression. He doesn't normally go in for naked aggression. He usually disguises it under honeyed words. What is it, sweetie? He's got a cold in the nose, that's what it is,
Lambert I want us to drink to our anniversary. We've been married more bloody years than I can remember and it don't seem a day too long.
Prue Cheers.
Matt Cheers.
Julie It's funny our children aren't here. When they were young we spent so much time with them, the little things, looking after them.
Prue I know.
Julie Playing with them.
Prue Feeding them.
Julie Being their mothers.
Prue They always loved me much more than they loved him.
Julie Me too. They loved me to distraction. I was their mother.
Prue Yes, I was too. I was my children's mother.
Matt They have no memory.
Lambert Who?
Matt Children. They have no memory. They remember nothing. They don't remember who their father was or who their mother was. It's all a hole in the wall for them. They don't remember their own life.
  Sonia comes to the table.
Sonia Everything all right?
Julie Perfect.
Sonia Were you at the opera this evening?
Julie No.
Prue No.
Sonia Theater?
Prue No.
Julie No.
Matt This is a celebration.
Sonia Oh my goodness. A birthday?
Matt Anniversary.
Prue My sister and her husband. Anniversary of their marriage. I was her leading bridesmaid.
Matt I was his best man.
Lambert I was just about to fuck her at the alter when somebody stopped me.
Sonia Really?
Matt I stopped him. His zip went down and I kicked him up the arse. It would have been a scandal. The world's press was on the doorstep.
Julie He was always impetuous.
Sonia We get so many different kinds of people in here, people from all walks of life.
Prue Do you really?
Sonia Oh, yes. People from all walks of life. People from different countries. I've often said, "You don't have to speak English to enjoy good food." I've often said that. Or even understand English. It's like sex, isn't it?  You don't have to be English to enjoy sex. Lots of people enjoy sex without being English. I've known one or two Belgian people, for example, who love sex and they don't speak a word of English. The same applies to Hungarians.
Lambert Yes. I met a chap who was born in Venezuela once and he didn't speak a fucking word of English.
Matt Did he enjoy sex?
Lambert Sex?
Sonia Yes, it's funny you should say that. I met a man from Morocco once and he was very interested in sex.
Julie What happened to him?
Sonia Now you've upset me. I think I'm going to cry.
Prue Oh, poor dear. Did he let you down?
Sonia He's dead. He died in another woman's arms. He was on the job. Can you see how tragic my life has been?
  Pause.
Matt Well, I can. I don't know about the others.
Julie I can too.
Prue So can I.
Sonia Have a happy night.
  She goes.
Lambert Lovely woman.
  The Waiter comes to the table and pours wine into their glasses.
Waiter Do you mind if I interject?
Matt What?
Waiter Do you mind if I make an interjection?
Matt Help yourself.
Waiter It's just that a little bit earlier I heard you saying something about the Hollywood studio system in the thirties.
Prue Oh, you heard that?
Waiter Yes. And I thought you might be interested to know that my grandfather was very familiar with a lot of the old Hollywood film stars back in those days. He used to knock about with Clark Gable and Elisha Cook, Jr. and he was one of the very few native-born Englishmen to have had it off with Hedy Lamarr.
Julie No!
Lambert What was she like in the sack?
Waiter He said she was very tasty.
Julie I'll bet she was.
Waiter Of course there was a very well established Irish Mafia in Hollywood in those days. And there was a very close connection between some of the famous Irish film stars and some of the famous Irish Gangsters in Chicago. Al Capone and Victor Mature, for example. They were both Irish. Then there was John Dillinger, the celebrated gangster, and Gary Cooper, the celebrated film star. They were Jewish.
  Silence
Julie It makes you think, doesn't it?
Prue It makes you think.
Lambert You see the girl at that table? I know her. I fucked her when she was eighteen.
Julie What, by the banks of the river?
  Lambert waves at Suki. Suki waves back. Suki whispers to Russell, gets up, and goes to Lambert's table, followed by Russell.
Suki Lambert! It's you!
Lambert Suki! You remember me?
Suki Do you remember me?
Lambert Do I remember you? Do I remember you!